P-town 2001

You do not know,
You do not know what life is,
She said,
Slowly twisting the lilac stalk
between her fingers

There was, on the sidewalk in front of the church, a mime dressed as a mechanical doll. She, it appeared to be a she, moved mechanically to a whirring sound coming from a basket in front of her. She looked just like a doll, her body was sexless, her face pretty like a young girl, her hair a mop of bright yellow curls, her eyes as blank as a machine but written across her face was the brightest, friendliest smile. I took a picture of her and of the church, then we walked on. We came next to a store that sold salt water taffy we went in to buy some, I remembering how I used to watch it made in the storefront at Hampton Beach when I was a child. When we stepped outside the same mime was walking by. She moved close to me, I was not conscious of her approach until, from the corner of my eye, I caught her broad smile. I instinctively looked up and said, "Hello", and looked into her eye as I have done many times when I was fortunate enough to receive a smile from a pretty woman. Catching a woman's eye and reading her approval is something I sometimes think I live for. But these eyes did not respond, no trace of bashfulness, or flirting or anger. There was nothing in those eyes. I instantly knew this was not a woman. She or he walked on swaying and smiling down the street. And I, puzzled, watched her go. Her gait was strong, light, agile and manlike in the sense of a male ballet dancer. The smile on the outside, the lifelessness inside; this was a tragic figure, definitely male, definitely making a personal statement to the crowd. I sensed an invulnerability that can only come when one embraces death.